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Support Provided By This article is part of a series on the history of graphic design and social activism in California from Artbound. Produced in partnership with Hyperallergic. California s culture and art movements have long enjoyed a unique freedom from East Coast and European dogmas. This manifests itself in social, creative and aesthetic realms characterized by experimentation, openness and independence. Graphic design is a key element of defining this California way of life, from the clean, unencumbered lines of mid-century modernism to the flamboyant psychedelia of counterculture posters and publications, and the post-modern graphics of the 1980s and 90s. A mecca of consumerism, it is also a place of great creativity, freedom and social consciousness, where the status quo undergoes constant renovation, writes Louise Sandhaus in Earthquakes, Mudslides, Fires & Riots: California and Graphic Design, 1936-1986. Without solid ground, tradition lacks secure footi ....
Print The weekend is young, and I’m feeling partial to patty melts and Bloody Marys (with gobs of horseradish, por please). I’m Carolina A. Miranda, arts and urban design columnist at the Los Angeles Times, with the week’s essential culture news and chihuahua imitators. Our cartoon avatars The cartoon is endlessly malleable, able to serve as a staple of children’s programming even as it questions gender norms (e.g. Bugs Bunny) or functions as a proponent of U.S. foreign policy (may I introduce you to U.S. soft power ambassador Donald Duck?). Artist Paul Pescador is interested in cartoons for those reasons but for many others, too: their saturated color, their emotionality cartoons are pure melodrama and their ability to render bodies in inventive ways. “There is no more abstract version of the body than the cartoon,” says Pescador. “You shift a pencil line and you make something more curved, and you make it more feminine. It ....
Advertisement “Yoshitomo Nara” A three-decade survey of works by the Japanese artist, on view through July 5. | TIMES REVIEW Los Angeles County Museum of Art, 5905 Wilshire Blvd., L.A. Closed Wednesdays. $10-$25; ages 12 and younger are free; advance timed-entry tickets required. (323) 857-6010. lacma.org Also on view: “Not I: Throwing Voices (1500 BCE–2020 CE),” exploring ventriloquism in art (through July 25); “Cauleen Smith: Give It or Leave It,” multimedia works by the L.A.-based artist (through Oct. 31); “Bill Viola: Slowly Turning Narrative,” room-sized video installation (through June 27); “Vera Lutter: Museum in the Camera,” images of the LACMA campus (through Sept. 12); “Fiji: Art & Life in the Pacific” (through May 12); “Do Ho Suh: 348 West 22nd Street,” installation re-creating the artist’s New York apartment in sheets of translucent polyester (through May 16). ....