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Blanton Museum of Art presents Artist Talk with Tacita Dean Many events have been canceled or postponed due to coronavirus concerns. Please check with the organization before going to any event. Tacita Dean, Photo courtesy of Tacita Dean As part of the Blanton Museum of Art’s Curated Conversation series, they will host an artist talk with Tacita Dean. Dean is an internationally acclaimed British artist who has been the subject of multiple solo exhibitions across Europe, the US, and Mexico, and is the recipient of numerous prestigious awards, including the Sixth Benesse Prize at the 51st Venice Biennale, the Hugo Boss Prize at the Solomon R. Guggenheim Museum, New York, and the Kurt Schwitters Prize. ....
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Unknown Netherlandish Artist, Landscape with Elisha Mocked after an engraving by Schelte Bolswert after a painting by Peter Paul Rubens, and after an engraving by Nicolaes Ryckmans after a design by Pieter de Jode I (1640-52). Courtesy of the Blanton Museum of Art. Few art critics can afford to seriously collect art. And those that do don’t collect like Leo Steinberg did. The Russian-born writer, one of the most influential of his generation, amassed a trove of some 3,500 prints before his death, in 2011 a time when the medium was often overlooked, undervalued, and ripe for reassessment. Steinberg’s contributions to art history wouldn’t have been the same without his hobby, argues a new exhibition at the Blanton Museum of Art in Austin, Texas. It’s through this conceit that the show, “After Michelangelo, Past Picasso: Leo Steinberg’s Library of Prints,” seeks to unpack the tricky legacy left behind by the era-hopping thinker, outsider academic, and ico ....
The art historian Leo Steinberg (1920-2011) was known for defying orthodoxy, most memorably in his 1983 book The Sexuality of Christ in Renaissance Art and in Modern Oblivion, in which he argued that the genitals depicted in images of the infant Jesus and the Passion were crucial to establishing the saviour’s essential humanity. The book ruffled feathers: some found the topic prurient, while others challenged Steinberg’s interpretation of the visual evidence. But most were struck by the incisiveness of his conversational voice, which he had already wielded in essays and criticism about artists including Pablo Picasso and Jasper Johns. ....