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hello i am john wilson. welcome to this cultural life, the radio four podcast. my guest is tracey emin, an artist who has always put her own life at the centre of her work in drawings, paintings, videos, sculptures and installations, she tells very personal stories. we met in a radio studio in bbc broadcasting house. tracey, welcome to this cultural life. your life has always run all the way through your are right but when did the art start? yet they make the art then took off at school because i missed so much skill. i stopped going to school when i was about 13 and had to go back and i was 15. i went back for three months and i had to do three days a week, by law, otherwise my mum would have been in trouble with social services and things. i just did whatever i wanted to do an art and i think that is what it was really. it really sort of, it became me if that makes sense. in a serious way. and i think, because the teachers took me seriously, and trusted me, that was quite a ....
who has always put her own life at the centre of her work, in drawings, paintings, videos, sculptures and installations, she tells very personal stories. we met in a radio studio in the bbc broadcasting house. welcome to this cultural life. your life is always has gone through your art but wended the art stop? it took off at school wended the art stop? it took off at school because - wended the art stop? it took off at school because i - wended the art stop? it took. off at school because i stopped going to school when i was about 13 and i had to go back when i was 15, i went back for three months and i had to do three months and i had to do three days a week by law, otherwise my mum would have beenin otherwise my mum would have been in trouble with social services and things, and ijust did whatever i wanted to do, and i think that s what it was really, it had become me in a serious way and because the teachers took me seriously and trusted me, that was quite a fantas ....
I felt this painting shake, the most beautiful sunset, but ifelt this painting shake, i felt, it s rumoured, it was not standing still for me when i looked at it, i could feel it vibrate, and i didn t know anything about rothko, it was only later when i did find out about rothko and read about rothko that i thought oh my god, and then i realised something, very early on, that art, true art should resonate, should make you feel it is not a thing, is not an object, it is a true entity, a true thing that comes from somewhere, that s what makes it art. it that s what makes it art. if ou that s what makes it art. if you talk to people on the street and ask her tracey emin is, they would associate you with my bad, or the other work, everyone i ever slept with, ....
Moments of your life in the most important artworks that have had a profound effect on your own creativity and the first one you ve chosenis creativity and the first one you ve chosen is a painting, one at the tate. you may guess, the rothko painting pink and yellow. {lister tate. you may guess, the rothko painting pink and yellow.- painting pink and yellow. over 22 when i first painting pink and yellow. over 22 when i first went painting pink and yellow. over 22 when i first went to painting pink and yellow. over 22 when i first went to the painting pink and yellow. over 22 when i first went to the tate - painting pink and yellow. over 22 when i first went to the tate and | painting pink and yellow. over 22 | when i first went to the tate and i pretended that it wasn t my first time and then was walking through and then i came across this rothko painting and of course i didn t know it was rothko and i was just staring at it and there was a bench and i sat down and sobbed and s ....