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embodied more than anything else movement because it is the exposition universale. they are showing a movie on a 15 by 20 meter screen that the lumiere brothers have made in the fair. because he sees this, he sees fuller but when picasso was 15 years old, he saw a movie that is noted. and after he saw this movie, this charge of the light brigade sort of movie, he went back to his studio and made drawings and a painting from that movie. and at about 15 he became a cinephile. rose: also rachel weisz talks about her new movie agora and about herself. what did you fear about this? well, the fear is that it s an epic sword and sandals movie without . rose: sword and sandals. you know that is what they call it, without a graduater at the centre. rose: like sparta cuss, all those other sword and sandal. exactly it is very like one of those, it looks like that there are thousands of extras, not cgi. at the centre of this movie is a woman who is a philosopher. and tha
the world of art, specifically pablo picasso, george broke and the connection between film and cubism. it was a moment that embodied more than anything else movement because it is the exposition universale. they are showing a movie on a 15 by 20 meter screen that the lumiere brothers have made in the fair. because he sees this, he sees fuller but when picasso was 15 years old, he saw a movie that is noted. and after he saw this movie, this charge of the light brigade sort of movie, he went back to his studio and made drawings and a painting from that movie. and at about 15 he became a cinephile. rose: also rachel weisz talks about her new movie agora and about herself. what did you fear about this? well, the fear is that it s an epic sword and sandals movie without . rose: sword and sandals. you know that is what they call it, without a graduater at the centre. rose: like sparta cuss, all those other sword and sandal. exactly it is very like one of those, i
connection between film and cubism. it was a moment that embodied more than anything else movement because it is the exposition universale. they are showing a movie on a 15 by 20 meter screen that the lumiere brothers have made in the fair. because he sees this, he sees fuller but when picasso was 15 years old, he saw a movie that is noted. and after he saw this movie, this charge of the light brigade sort of movie, he went back to his studio and made drawings and a painting from that movie. and at about 15 he became a cinephile. rose: also rachel weisz talks about her new movie agora and about herself. what did you fear about this? well, the fear is that it s an epic sword and sandals movie without . rose: sword and sandals. you know that is what they call it, without a graduater at the centre. rose: like sparta cuss, all those other sword and sandal. exactly it is very like one of those, it looks like that there are thousands of extras, not cgi. at the ce
george broke and the connection between film and cubism. it was a moment that embodied more than anything else movement because it is the exposition universale. they are showing a movie on a 15 by 20 meter screen that the lumiere brothers have made in the fair. because he sees this, he sees fuller but when picasso was 15 years old, he saw a movie that is noted. and after he saw this movie, this charge of the light brigade sort of movie, he went back to his studio and made drawings and a painting from that movie. and at about 15 he became a cinephile. rose: also rachel weisz talks about her new movie agora and about herself. what did you fear about this? well, the fear is that it s an epic sword and sandals movie without . rose: sword and sandals. you know that is what they call it, without a graduater at the centre. rose: like sparta cuss, all those other sword and sandal. exactly it is very like one of those, it looks like that there are thousands of extra
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