Too elegant, too tactical, too perfect: such were the characteristics of Anish Kapoor’s hyperreflective sculptures of the unforgettable and exuberant exhibition held at Lisson Gallery in New York some four years ago. With immaculately polished surfaces, those optical devices, whether immense or human in scale, appeared as matchless catalysts for arresting phenomenological inquiries into the parameters of vision and the paradoxes of visual representation.