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Records for Joseph Delaney, Howardena Pindell, Winfred Rembert, Betye Saar & more at Swann

Records for Joseph Delaney, Howardena Pindell, Winfred Rembert, Betye Saar & more at Swann Howardena Pindell, Oval Memory Series: (Rhinoceros) Heaven, tempera, gouache, postcards, punched paper, nails, fluorescent paint, glitter and thread on board, 1980–81. Sold for $100,000, a record for the artist. NEW YORK, NY .-Swann Galleries’ spring offering of African American Art on Thursday, April 22 was the second highest grossing sale in the thirteen-year history of the department, with its highest number of participants to date. “I am thrilled to see the continued growth in our African American art auctions with a tremendous sale. 398 registered bidders (not counting those on other platforms) competed for 8 hours to bid on 220 lots. We set 13 artist records and saw high prices all around for many artists,” noted department director, Nigel Freeman.

Artdaily - The First Art Newspaper on the Net

The First Art Newspaper on the Net   The collectors Peter and Jill Kraus in their apartment with Pope.L s “Sunny Day White Power.” Speculative buyers are flocking to crypto art while blue-chip collectors are holding back, fearing legal gray areas and copyright issues. Via Peter Krauss via The New York Times. by Zachary Small (NYT NEWS SERVICE) .- A handful of auctions this month testing the appetite for a type of investment known as NFTs seemed likely to prolong the nascent fad for ownership of works that exist only in the digital world. Missing from those transactions, however, were the blue-chip collectors who typically drive the art market’s sales. Industry experts have observed a growing wedge between a new generation of digital speculators and an older school of art collectors who say their concerns about the quality, ownership and authenticity of NFTs have gone unresolved, even as their fears of legal challenges grow. More than a dozen collectors interviewed for this

Swann Galleries announces spring sale of African American art

Swann Galleries announces spring sale of African American art Charles Alston, City at Night, oil on canvas, circa 1956–60. Estimate $100,000 to $150,000. NEW YORK, NY .-Swann Galleries’s spring sale of African American Art will take place on Thursday, April 22. The sale will present quality works spanning mediums and movements within the canon. Artists of the Harlem Renaissance feature in the sale, with a run of works by Richmond Barthé and prints by Aaron Douglas. African Boy Dancing, 1937, is an important and strikingly beautiful bronze by Barthé; which represents the culmination of the artist’s significant study of the male figure in sculpture, anatomy and African dance in the 1930s, and his pioneering realization of an ideal male nude. This is the first time this sculpture has come to auction, and only the second time that an original 1930s cast by Barthé has appeared at auction. The sculpture is expected to bring $150,000 to $200,000. Also by Barthé is Stevedore, 1

African American Art at Swann April 22

African American Art at Swann April 22 NEW YORK, New York Subject Line Please provide verification code Email is invalid Richmond Barthé, African Boy Dancing, cast bronze with dark brown patina, 1937. Estimate $150,000 to $250,000. African American Art will take place on Thursday, April 22. The sale will present quality works spanning mediums and movements within the canon. Artists of the Harlem Renaissance feature in the sale, with a run of works by Richmond Barthé and prints by Aaron Douglas. African Boy Dancing, 1937, is an important and strikingly beautiful bronze by Barthé; which represents the culmination of the artist’s significant study of the male figure in sculpture, anatomy and African dance in the 1930s, and his pioneering realization of an ideal male nude. This is the first time this sculpture has come to auction, and only the second time that an original 1930s cast by Barthé has appeared at auction. The sculpture is expected to bring $150,

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