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January 7, 2021 2020 was not so much a year that changed cinema, but the way we experience it––at least in the United States. The countries that contained COVID have largely reopened to box office success. The proof is in the numbers as the global box office champion of the year was the Chinese war epic The Eight Hundred, not a film from a major US-based studio. Instead, high-profile event films like a new Pixar animation or a major superhero movie became “must-stream TV,” leaving theatrical exhibitors largely high and dry. For cinephiles, most of us enjoyed Steve McQueen’s masterful Small Axe anthology at home on Amazon Prime or the BBC, further blurring the line between prestige television and prestige cinema. 

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