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Swedish commercial news publishers have seen advertising revenues diminish over the years. They mostly rely on reader revenues, with Swedes being relatively positive about paying for news online. The relative importance of social media for distribution has declined. ....
Plus: How participatory journalism became a taken-for-granted norm, how news use can help mitigate misinformation beliefs, and the limits of live fact-checking. ....
Sweden is characterised by a mix of public service media (PSM) alongside few national and many local commercial news media. Commercial news publishers nowadays mostly rely on reader revenues. ....
Andrew Rosenthal isnât Swedish, nor does he speak Swedish. The former editorial page editor of the New York Times says his initial knowledge of the country was informed by shopping trips he took in the â80s, while serving as Moscow bureau chief for the APâand of the Swedish press, by what he learned from watching the Girl With The Dragon Tattoo. But in an unlikely move, Rosenthal, who is semiretired after decades of rising through the newsroom ranks, has taken a job as the interim editor in chief of a vexed Swedish media start-up called Bulletin. âThe thing that makes it possible is that itâs not my job to figure out Swedish politics, and itâs not my job to influence the Opinion pages,â Rosenthal told me. âThe purpose here is to stand up a functioning news organization.â ....
metajournalistic discourse explore the ways journalists use their public discourse to protect their own autonomy and jockey for cultural legitimacy. For many journalists, defending yourself is just part of the job. That’s why Moon’s study of Rwandan journalists is so remarkable. In interviews with 40 Rwandan journalists as part of an ethnography of the country’s newsrooms, Moon found that their professional identity is dominated by a metanarrative in which they are untrustworthy, too powerful, and need to be reined in by other social institutions. This narrative stems from Rwandan journalists’ deeply rooted sense of complicity and guilt in helping foment the genocide of the 1990s. As a result, they’re treated extremely skeptically by audiences, sources, and policymakers, and in their eyes, they deserve it. It’s a haunting and fascinating picture of the power of negative discourse to shape professional identity in post-conflict journalism, fueled by collective gui ....