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Tucson Weekly: Smooth Moves (January 28 - February 3, 1999)

Tucson Weekly: Smooth Moves (January 28 - February 3, 1999)
tucsonweekly.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from tucsonweekly.com Daily Mail and Mail on Sunday newspapers.

Tucson Weekly: City Week (June 10 - June 16, 1999)

Thursday | Friday | Saturday | Sunday | Monday | Tuesday | Wednesday Thursday 10 STRING BEINGS. Violinist Willie Royal and guitarist Wolfgang Lobo Fink team up to make music that soothes and invigorates. In other words, they rev up their loyal following with incredible virtuosity, blending a vast array of styles from across the planet. Their latest release, Wild Heart, is a hypnotic brew of gypsy, flamenco, jazz, Mexicali blues, Cuban swing, Cajun zydeco.you get the point. The dynamic duo is a perennial Tucson favorite, with one raucous performance at 8 p.m. in the Berger Performing Arts Center, 1200 W. Speedway. Advance tickets are $16, available at Antigone Books,

Tucson Weekly: The Year In Review (December 30

Tucson Weekly: The Year In Review (December 30
tucsonweekly.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from tucsonweekly.com Daily Mail and Mail on Sunday newspapers.

Tucson Weekly: All Their Faculties (February 18 - February 24, 1999)

Tucson Weekly: All Their Faculties (February 18 - February 24, 1999)
tucsonweekly.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from tucsonweekly.com Daily Mail and Mail on Sunday newspapers.

Tucson Weekly: Arts Round-Up (December 31 - January 7, 1998)

The Best And Worst Of The Local Arts Scene In 1997. By Margaret Regan ONE OF THE best moments in the whole art year took place in its earliest weeks. Liz Lerman s Dance Exchange had come to town in January, and worked intensively with local groups to incorporate them into a professional performance at Centennial Hall. After weeks of rehearsals, old Mexican-American women from El Rio Neighborhood Center, Jewish mothers and children from the Hebrew Academy, gay activists and even Ken Foster, head of UApresents, joined Lerman s troupe onstage for Still Crossing, a dance about immigration and nationhood. It was a performance at once solemn and joyful. Its best moment,

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