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Canadian music wasn t ready for Kardinal Offishall in 2001. Now, he s championing our homegrown hip-hop talent When Kardinal Offishall released his breakout album in 2001, he wasn’t embraced by the Canadian music industry like he was by the hip-hop community. Fast-forward 20 years, and he’s now a senior executive at Universal Music Canada with a mission to keep our homegrown talent north of the border. Social Sharing The Canadian rapper reflects on how the music industry failed him and what he’s doing now to change things CBC Radio · Posted: Apr 28, 2021 3:18 PM ET | Last Updated: April 29 Kardinal Offishall’s major label debut, Quest for Fire: Firestarter, Vol. 1, turns 20 this year.(Paul Jones Media) ....
Kardinal Offishall. Photo Contributed: Paul Jones Media Canadian deejay/rapper Kardinal Offishall took to Twitter to pay homage to Jamaica, the island of his parents’ birth, after creating black history by being named Senior Vice President, A&R, for Universal Music Canada (UMC) yesterday. The promotion comes seven years after the multi-platinum, award-winning rapper and producer was appointed creative director for the company, which is regarded as one of the biggest and most profitable within the UMG group. In his new role, Kardinal will continue to undertake his previous duties to discover, sign, and develop new artistes, and, among other things, provide strategic direction to the company. ....
The Hamster Dance to Cigarettes and Chocolate Milk : let s travel back to 2001 Social Sharing The Hamster Dance to Cigarettes and Chocolate Milk : let s travel back to 2001 Posted: Jan 07, 2021 4:00 AM ET | Last Updated: January 7 We re revisiting some hit Canadian songs turning 20 in 2021. (From left: Kevin Winter (Getty Images); George de Sota (Hulton Archives/Getty Images)) We love a chance to look back, and what better opportunity than having just rung in a new year? Twenty years ago, Canada was at a curious precipice: the brief, dizzying highs of homegrown boy bands were already on the come down; hard rock and punk-pop were on the come up; R&B was holding it down with reliable, overlooked excellence; and indie rock was just starting to make some noise. ....