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It s this opportunity to subvert the traditional narratives around refugees that first drew rasmussen to the idea of making flee. the refugee story is often simplified. being a refugee becomes their identity, but it s not. and because flee, amin s story, is told from the inside of a friendship, i m hoping that i can give a lot more nuance to the refugee story and give a human face to the refugee story and show that they have, you know, complex psychologies, like you and me. using animation is one of the film s masterstrokes. it s a choice that separates flee from other documentaries, giving the film a pleasing visual style that makes the quite painful story more accessible. but the film might not have even been possible without it, as the animation allowed amin to feel comfortable sharing his story in the first place. the fact that he could stay anonymous and wouldn t meet people in the street who would ask him ....
Of course, in recent weeks, the whole world has been consumed by developments in ukraine. here in hollywood, the film industry has been energised and outspoken. hollywood s biggest night of the year is taking place more than 6,000 miles from kyiv in ukraine, but the war is on the minds of many attending the ceremony. some stars are uneasy among them, maggie gyllenhaal, nominated in the adapted screenplay category. she can t quite get her head around the idea of celebrating at the oscars in a time of war. it s very difficult to think about getting dressed up in fancy dresses and going to parties. you know, the party aspect of it, the excess is really hard to hold in your mind at the same time as what s happening in ukraine. here are the nominees for best picture. the war has also changed the way in which some of the movies in the best picture race are being perceived. sir kenneth branagh believes his possible best picture winner, belfast. we re looking to cleanse l the community a wee ....
Attending the ceremony. some stars are uneasy among them, maggie gyllenhaal, nominated in the adapted screenplay category. she can t quite get her head around the idea of celebrating at the oscars in a time of war. it s very difficult to think about getting dressed up in fancy dresses and going to parties. you know, the party aspect of it, the excess is really hard to hold in your mind at the same time as what s happening in ukraine. here are the nominees for best picture. the war has also changed the way in which some of the movies in the best picture race are being perceived. sir kenneth branagh believes his possible best picture winner, belfast. we re looking to cleanse l the community a wee bit. you wouldn t want to be the odd man out. | ..a semi autobiographical story of his own family s life upended by the troubles in northern ireland in the 1960s. are we going to have to leave belfast? ..is pertinent to the suffering in ukraine. in the world we live in, the kinds of appalling ....
It s achieved quite a feat in terms of nominations. it s been nominated for best documentary feature, best international film feature, and best animated feature, all at the same time. noah gittell reports. noah: flee, the ground breaking, oscar nominated animated documentary may defy easy categorisation, but its story has resonated with a wide variety of audiences. it s not the first film to portray the refugee experience as a harrowing ordeal, but the film succeeds by never politicising its subject. at the heart of flee is one man, amin, telling his story to his childhood friend, danish film maker jonas poher rasmussen. it s this opportunity to subvert the traditional narratives around refugees that first drew rasmussen to the idea of making flee. the refugee story is often simplified. being a refugee becomes their identity, but it s not. and because flee, amin s story, is told from the inside of ....