An exhibition of contemporary Caribbean art offers glimpses into the region’s complexities. A review by Murray Whyte for The Boston Globe. “Forecast Form: Art in the Caribbean Diaspora, 1990s–Today,” just opened at the Institute of Contemporary Art, simmers with the unease of an impossible task nonetheless well-executed. Complexity is its underpinning; coherence is its natural…
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There’s plenty of art to look forward to this season, including an exhibit about Isabella Stewart Gardner, three exhibits with vastly different approaches to portraiture and several exhibits exploring American identity.