sentimentalised, but it s a childhood view it s a memoir about childhood. it s fiction, but it s clearly inspired by real life, and as you said, from watching that clip, if that clip didn t sell you the movie, nothing well, frankly. yes! it sounds it sounds delightful. and it s funny because british people, ithink, think of kenneth branagh still as a classical stage actor, but actually, he has directed a lot of films, and this is a. 0h, he s a he s a very accomplished film maker. i will still fly the flag for frankenstein, which is much derided, and i think that is a very, very underrated film. 50, second film this week. total change of gear. nightmare alley new film by guillermo del toro who, obviously, shape of water, but this actually dates back to when he was making cronos, which was like a vampire movie. and this is based on a novel from the a05 that was first filmed in 1947 a kind of a film noir. story is bradley cooper is a natural born con man. he s running away from
how much are gonna allocate for catering when we re on malta, filming this movie? the decisions are too small and process is too long to leave everything up to the community, right? so what we want to do is let the community have this creative direction. what scripts are we gonna play? who s gonna compose the score? and, like, have that feeling of involvement without having to really deal with the really nitty gritty stuff involved in this. coming from even like a marketing standpoint, there is no, like, we must target this exact demographic, from the ages of 16 to 29 with this salary, from this place . that isjust not the case any more. we re it s creating a decentralised world where people, everyone can be involved in the arts. you don t have to have millions of dollars to be involved in a film any more, and that s what s so exciting. but buying an nft can t force anyone to make a film and with all the risks in the movie game, what guarantees are there for contributors it will eve
of parents meeting in a room in a church in a wake of the tragedy that has engulfed them. and they are having the meeting in order to attempt to find some kind of reconciliation. and it s jason isaacs, martha plimpton, reed birney, ann dowd really, really great actors. fran krantz is the writer director. debut feature. i thought it was astonishingly good. i saw it a year ago when it played at sundance, which was the virtual festival, and it s kind of now got lost in all the awards. but it s an ensemble cast like you ve never seen before, um. and i looked at it and wondered whether it had started life as a play, actually, because of the american actors are real, classic stage actors martha plimpton among them. yeah, yeah i mean, great performances. no, it didn t. and weirdly, enough, it is actually very cinematic when you consider that it is a film about four people in a room, talking. the other thing to say is the subject matter that it s dealing with may be very, very dark and v
i think it hits that sweet spot between the film that pleases the critics and the film that absolutely pleases the crowds. i think it s got a really strong shot at being i told you this before i think it s the best picture contender. i mean, i it would not surprise me at all if this walked off with the top prize at the oscars because it s kind of got that written all over it. it s made with real love and heart, and there are a couple of things that are a little bit hokey about it and it s slightly sentimentalised, but it s a childhood view it s a memoir about childhood. it s fiction, but it s clearly inspired by real life, and as you said, from watching that clip, if that clip didn t sell you the movie, nothing well, frankly. yes! it sounds delightful. and it s funny because british people, ithink, think of kenneth branagh still as a classical stage actor, but actually, he has directed a lot of films, and this is a. 0h, he s a he s a very accomplished film maker. i will still
and it s funny how something can get lost, actually, maybe in that covid way, things have been so different and. it has been such a strange time for cinema and, you know, stuff opening on the small screen rather than the big screen and then simultaneously. and also, around awards season as you can telljust in this one show we ve had nightmare alley, we ve had belfast, all of these things suddenly backing up whereas last week, it was a very different was a very different picture. so i think during awards season, things do get lost in the shuffle. please, don t miss out on mass. 0k. it is so worth your time. i d love to know what you think of it. i m looking forward to that, despite yeah, really looking forward to that, streaming and cinemas. thank you very much, mark. thank you. it s a cracking week. thank you. see you next time and enjoy your cinema going, whatever you choose to see. see you very soon. bye bye. hello. it has been a very dry january so far weather wise, with mo