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Welcome to impeachment week, in which we grow increasingly concerned about the fate of our fragile republic but also the aesthetics of Sen. Ted Cruz’s haircut. I’m
Carolina A. Miranda, arts and urban design columnist at the Los Angeles Times, here with your weekly dose of culture news and hamburger dispatches:
Artistic legacies
Shortly after abandoning her religious vows in 1968,
Corita Kent produced a series of 29 prints called “Heroes and Sheroes” that honored political and civil rights figures she admired. The prints mark a moment of departure, when Kent is increasingly appropriating images from mass media and, unshackled from the Catholic Church, her critiques of the powerful become more overt.
Print
If you try to visit the Los Angeles County Museum of Art this week, you can enter the Resnick Pavilion and browse its gift shop, where you might peruse one of several catalogs featuring the work of Japanese artist Yoshitomo Nara, who is currently the subject of a major retrospective at the museum. You can also pick up one of several Nara-designed skateboard decks, Nara T-shirts and Nara colored pencil sets. While you’re at it, don’t forget the Nara disposable bandages. (Only $12!)
What you cannot do is see the Nara exhibition in the BCAM building across the way. Nor can you view any of the exhibitions currently installed inside the Resnick Pavilion, which include a show of photography by Vera Lutter, which chronicles LACMA’s now-demolished east campus, and an architectonic installation by Korean artist Do Ho Suh.