Artists of the silheom misul movement in the 1960s and ‘70s wrestled with an increasingly globalizing, industrializing, and politically censorious Korean art world.
Whether half a century ago or today, the spirit of youth lives on in the Hammer Museum’s latest exhibit. “Only the Young: Experimental Art in Korea, 1960s–1970s” has made its way from Seoul’s National Museum of Modern and Contemporary Art to Manhattan’s Solomon R.
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