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Neeraj Ghaywan's 'Geeli Pucchi' Paints a Brilliant Blue Expanse of Emancipation


Neeraj Ghaywan s Geeli Pucchi Paints a Brilliant Blue Expanse of Emancipation
The individual experience of Dalit women’s lives is neither denied nor fetishized but used to see how social, economic and cultural structures produce her as an oppressed but equally argumentative subject.
Konkona Sensharma (left) and Aditi Rao Hydari in Neeraj Ghaywan s Geeli Puchhi. From Netflix s Ajeeb Daastaans . Photo: Netflix
Ajeeb Daastaans’ / Strange Tales, it strikes one that
 director Neeraj Ghaywan’s short – ‘
Geeli Puchhi’/ Sloppy Kisses – is the only angry essay in a series that otherwise explores how love is interrupted and disfigured by sexual marginalisation, class prejudice and ableism. It stands out for its vivid and luminous rage.  We feel every beat of the film’s primary protagonist, Bharati Mondol’s repeated humiliation and torment on account of her caste, sexuality and gender. But Ghaywan’s film also gives ....

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'Ajeeb Daastaans' Review: A Mixed Anthology Bag With the Breezy and the Heavy Handed


Ajeeb Daastaans Review: A Mixed Anthology Bag With the Breezy and the Heavy Handed
The four shorts juxtapose poignant penetrating ideas – long-denied representation in mainstream Bollywood – with sloppy, hurried execution.
A poster for Netflix s anthology series Ajeeb Daastaans .
The new Netflix anthology,
Ajeeb Daastaans – produced by Karan Johar and the streaming website – according to a blurb on it, is a mélange of “unexpected catalysts” inflaming “the uncomfortable emotions simmering under fractured relationships”. That verbose logline also sounds muddled and vague. But the (inelegant) title at least prepares you for one expectation: ‘off-kilter’ stories.

No filmmaker takes that brief more seriously than Shashank Khaitan, helming the short, ....

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'Ajeeb Daastaans' review: Netflix anthology fails to break new ground, but is an earnest attempt

'Ajeeb Daastaans' review: Netflix anthology fails to break new ground, but is an earnest attempt
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