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Despite star wattage from Margot Robbie and Brad Pitt, the La La Land director’s overcooked portrait of a nascent Tinseltown is more hysterical than historical
BRIAN VINER: The late 1920s in Hollywood was a time of self-indulgent excess. It is fitting, though not deliberate, that Damien Chazelle s Babylon is wide open to the same charge.
Early in the exhaustingly ambitious epic "Babylon" Damien Chazelle s furious, curious satirical assault/love letter combo to Hollywood an elephant takes a huge dump on a main character s head, indicating that we could be in for a bumpy ride. This sleazy and pleasy debaucherous tale of Hollywood s sound-era infancy constantly operates at two frames short of the dreaded NC-17 rating.