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Mythology and history are staging a comeback on the big screen! After all, that is what we started our filmmaking with. The landmark films being Raja Harishchandra and Alam Ara. One thought the genres were lost to television forever.
Mythology and history are staging a comeback on the big screen! After all, that is what we started our filmmaking with. The landmark films being Raja Harishchandra and Alam Ara. One thought the genres were lost to television forever. In fact, a .
Not many remember Satish Kaul as Rehana Sultan’s handsome lover in the 1973 drama
Prem Parbat where he played the sexed-up forest ranger Rehana ran to for sex when her aged husband Nana Palsikar was asleep. It was a bold film and Satish got lead roles in off-beat Hindi films like
Nek Parveen,
Mere Sartaj, and
Ang Se Ang Laga Le. Like most failed lead actors Satish soon switched to supporting roles in big budget films like
Shiva ka Insaaf and
Ilzaam and
Aag Hi Aag.
Pahlajji remembers Satish as “hard working, friendly, hungry for work, always eager to face the camera, always wondering where the next meal would come from.” Bitter and frustrated for the lack of work in Hindi cinema, Satish moved to Punjabi cinema where he had a relatively more successful innings with films like