My job is assistant director for culture at the Smithsonians National museum of the American Indian. , theve the scholars historians, the curators at the museum. Charge of producing exhibitions, the books, a lot of the Educational Programs and symposiums, and work with a ,000ection of about 824 objects. But i have a real interest in photographys and we have also photographs in the National Museum of the American Indian Archive Center. Been working very hard in the years i spent to this museum, i am a 30 year career at the smithsonian but i just joined the American Indian museum in the last year and these photographs are of much interest to me as an archivist. You wrote an article about the collection. Tell us why you wrote this article a virtual tour history. Ms. Delaney thanks, richard. We have a great magazine. American indian magazine that is a members magazine for our museums. It has become more and more familiar with it over time, so when i was asked to think about the opportunity
And learn how to navigate and explore the museums online collections. Due to the coronavirus, this program was recorded via zoom. We are joined by michelle delaney. Tell us what your title is and what your job is. Ms. Delaney thank you. My job is assistant director for culture at the Smithsonians National museum of the American Indian. I leave the scholars, the historians, the curators at the museum who are in charge of producing exhibitions, the books, a lot of the Educational Programs and symposiums, and work with a collection of about 824,000 objects. But i have a real interest in photographys and we have also over 500,000 photographs in the National Museum of the American Indian archive center. So, i have been working very hard in the years i spent to this museum, i am a 30 year career at the smithsonian but i just joined the American Indian museum in the last year and these photographs are of much interest to me as an archivist. You wrote an article about the collection. Tell us w
9 11. So we have looked at what . Images of the buildings and noticeably images of firefighters because they were the main focus of the film. And then last week we started talking about the 9 11 commission report. That is, how was the event investigated . And were going to continue on with that on thursday this week. What we havent looked at and what you might think is in some ways not appropriate to look at are the dead. And the dead of this event, when you think about it, if you have thought about it very much, theyre in a rather unusual position visavis the dead of other either terrorist attacks or attacks by political regimes or armies on populations, and that is, theyre not visible. We have no bodies. You think about it. Almost all the bodies in new york were incinerated. They took out parts of bodies afterwards and one or two whole bodies they found, believe it or not. There are no bodies at shanksville, pennsylvania. And i have not seen pictures of the bodies injured as well as
Space museum hosted this event. It is about an hour 20 minutes. Well, good evening. Im chris brown the Deputy Director of the Smithsonian National air and space museum, and it is my pleasure to welcome you to tonights ge aviation lecture. Since 1982 this lecture series has spotlighted more than 140 of the biggest names in modern aviation history. Like all of our Public Programs this lecture is presented free of charge. This is possible, thanks through the generous support from ge aviation. Private contributions like theirs are critical to our programs and exhibitions. And it is my privilege to acknowledge them for their long standing and valued support representing ge aviation with us tonight is the Digital Solutions leader of military Systems Operations at ge aviation. Lisa, to you and your colleagues at ge, we thank you for your substantial and enduring support. [ applause ] since we opened the museum here on the mall in 1976 and in chantilly in 2003, more than 350 Million People hav
The bulk of the lecture is going to be presenting new evidence drawn from my research and others on the antebellum political culture. I have three major areas as evidence to talk about today. Tobacco culture, political friendships, and affairs of honor. Like we often do in the class, we are going to start with the image on the screen. Im going to ask you to tell me what you see. This is Lady Washingtons reception from 1861. Take it in. Who can point out something you see right away that strikes you . Lady washington is on a platform. Prof. Balcerski how high do you think she is . Off the ground . Like a foot. Prof. Balcerski thats a good piece there. What else . Everyone is dressed up fancy. Prof. Balcerski like you are today. Exactly. Very fancy. The ladies are wearing gowns. How about a third thing . Go ahead, jimmy. It looks like they are fairly close together. They may be dancing. They are all close together. Prof. Balcerski very good. I should say about Lady Washingtons reception,