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Natilee Harren , Eternal Network , Fluxus Forms , Scores Project ,

Schema: World as Diagram

Curated by writer Raphael Rubinstein and artist Heather Bause Rubinstein (whose labyrinthine fabric painting City as Shape (2019) is included in the show), Schema takes up the question of how artists have employed a broad cross-section of diagrammatic forms, from the map and the mandala to the isarithm and the ideogram. ....

New York , United States , Eva Hesse , Miguel Angel , Raphael Rubinstein , David Joselit , Stephen Mueller , Loren Munk , Amy Sillman , Mark Lombardi , Natilee Harren , Olympia Shannon , Wadada Leo Smith , Neil Bush , Marlborough Gallery , Heather Bause Rubinstein , Central Asian , While Munk , Vesper Dancehall , Enclosed Garden , Arshile Gorky , Hot Money , Political Dimension , Contemporary Art , Rt Critic , Rt Books ,

Jason Moran and John Cage at Josh Pazda Hiram Butler - Artforum International

Uniting prints and drawings by experimental composer John Cage as well as jazz pianist (and Houston native) Jason Moran, this cross-generational exhibition from two musical innovators-cum-visual artists is mutually enlightening, if counterintuitive. Cage, an influential proponent of chance and indeterminacy, was notoriously hostile to improvisational practices (e.g., jazz) for their tendency to fall back on inherently clichéd and ego-driven expressionist patterns. Yet his turn to printmaking in the late 1970s on the urging of Kathan Brown, the founder of San Francisco’s Crown Point Press began ....

San Francisco , United States , Adam Pendleton , Kara Walker , Natilee Harren , Jason Moran , Adrian Piper , Glenn Ligon , Kathan Brown , John Cage , San Francisco Crown Point , Crown Point Press ,

Colby Chamberlain on Alison Knowles - Artforum International

FEW TITLES ENCAPSULATE an exhibition’s argument as succinctly as “by Alison Knowles: A Retrospective (1960–2022).” Curator Karen Moss borrows that “by” from a slim volume of the same name, a collection of the artist’s compositions issued through the “Great Bear” pamphlet series of Something Else Press in 1965. The preposition’s pliability is the point. Most obviously, “by” denotes authorship, as in a corpus of texts written by Alison Knowles, yet it also suggests facilitation, a process brought about by means of Alison Knowles, or proximity, i.e., close by Alison Knowles. In a work by Alison ....

New York , United States , City Of , United Kingdom , Simon Pleasance , Katherine Carl , Hortense Spillers , John Cage , Lauren Fulton , Nikolai Kirke , Daniela Palazzoli , Marshall Mcluhan , Jasbirk Puar , Robert Rauschenberg , Marcel Duchamp , Emmett Williams , Benjamin Patterson , Dick Higgins , Judy Chicago , John Heartfield , Rirkrit Tiravanija , Philip Corner , Oscar Williams , Alison Knowles , Christian Wolff , Morton Feldman ,