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Gracie Hadland on Naoki Sutter-Shudo - Criticism

Naoki Sutter-Shudo addresses the current critical landscape with a series of seven “Critical Figures” and twelve paintings. Installed in only o ....

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Ingrid Luquet-Gad around the Paris fairs - Artforum International

Ingrid Luquet-Gad around the Paris fairs - Artforum International
artforum.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from artforum.com Daily Mail and Mail on Sunday newspapers.

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Paris Internationale, a Fair by and for Gallerists, Offers an Appealingly Focused Alternative to FIAC. But Will Sales Follow?

This year's event puts the emphasis squarely on creators, with a requirement for invited galleries to mount solo or duo-artist presentations. ....

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FIAC's Digital Edition Clicks With Buyers, Thanks to a Curated Approach and a 'Chance Encounter' Button That Emulates the Fun of IRL Fairs

Two Hippes (2020). Image courtesy the artist and Hauser & Wirth.
There’s been no shortage of grumbling about the never-ending parade of virtual art fairs and about how “online viewing rooms” (or OVRs) are, really, just another website. Nevertheless, dealers and collectors alike appeared this week to be enthusiastically embracing the virtual edition of the high-profile French fair known as FIAC (Foire Internationale d’Art Contemporain).
The VIP preview days started on March 2 before the fair “opened” to the broader public on March 4. (It runs through Sunday, March 7.) After a full-year of lockdown, it appears both organizers and exhibitors have been stepping up their game when it comes to online presentations. ....

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Veteran Artist Charles Gaines on Why Art Is 'Way More Interesting and Complex' Today Than It Was in the 1970s

We spoke with the artist as he prepared to open a show at Dia Beacon.
February 16, 2021
Charles Gaines in his Los Angeles studio, 2020. © Charles Gaines. Courtesy the artist and Hauser & Wirth. Photo: Fredrik Nilsen.
It’s easy to get the wrong impression about the Los Angeles-based artist Charles Gaines’s pictures. On screens, the works look glitchy or digitized, even though they are painted painstakingly by hand. In person, many of his portraits look from afar as if they are solid an impression that dissolves upon approach, as it becomes clear that they’re made of hundreds of tiny, vibrating, almost Pointillist dabs of paint, all set inside enormous grids. ....

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