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Stage Notes: Auriga Productions debuts; 'Memorias Flamencas' to close Oak Cliff Flamenco Festival dallasvoice.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from dallasvoice.com Daily Mail and Mail on Sunday newspapers.
There’s been a raft of important news this month, with top stories including Buck’s completion of what is perhaps the industry’s first GMP equalisation project. ....
An die ferne Geliebte, Op. 98, Schumann’s Liederkries, Op. 39, and Beethoven’s Aus Goethes Faust, Op. 75, No. 3. Register and view here until April 18. 8 pm ET: Tippet Rise Art Center presents Spring Festival. For the first day of Tippet Rise’s Spring Festival, two films have been captured at the DiMenna Center. The first features violinist Katie Hyun founding member of the Amphion String Quartet performing Vytautas Barkauskas’s Partita for violin solo. For the second film, Tippet Rise’s Artistic Advisor Pedja Mužijevic performs in a program titled Is It Real (A Loving Homage to Surrealism), which includes music and spoken word by Satie, Schwitters, and Antheil. At 7:30 pm ET there will be a “backstage” gathering via Zoom, giving artists the opportunity to discuss their performances, followed by the release of the films. View here. ....
Richard Strauss’s Der Rosenkavalier. Vladimir Jurowski conducts Barrie Kosky’s new staging with Marlis Petersen (Die Marschallin), Samantha Hankey (Octavian), Katharina Konradi (Sophie), Christof Fischesser (Baron Ochs auf Lerchenau), and Johannes Martin Kränzle (Herr von Faninal). The new production will be performed in the arrangement by Eberhard Kloke which transcribes the score to match the orchestration of Strauss’s opera Ariadne auf Naxos. View here. 12 pm ET: IDAGIO Global Concert Hall presents Ex Cathedra: Baroque Passion. Jeffrey Skidmore and his choir Ex Cathedra present a program of passionate Lenten music by Kuhnau, Lotti, Monteverdi, and Purcell. It’s poignant music that yearns for resolution heart-rending as Mary weeps at the foot of the cross in Scarlatti’s ....