At the first rehearsal for Suzanne Bocanegra’s “Bodycast,” Ruth Negga practices playing Bocanegra, who practices sitting onstage and muttering lines to Negga, Helen Shaw writes.
A new season brings exciting works by the likes of (La)Horde collective and Ligia Lewis, as well as classics from New York City Ballet and Alvin Ailey.
Elevator Repair Service’s Chekhov revival has promising ideas about art, experimentation and truth, but the production inevitably falls flat, our critic writes.