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It almost sounded like, you know, someone that s doing a start up in silicon valley now, but he somehow got it together. i joke that when i first saw turning lawrence, i joke that if uncut gems were about music and set 50 years earlier and done the right way, it would have been tony lawrence. you could go to stevie wonders people, will you do it, oh, sure. that s basically, like he would rob peter to pay paul to sort of get these acts to agree to it. but, yeah, he pretty much was a people person, and for me, editing and cutting this film together, it finally hit me that this entire project is one leap of faith, and me as a first time director, tony lawrence as someone who had the nerve and the gumption to say, you know what, i bet you i can heal the ....
Beautiful black feelings? beautiful black waves moving in beautiful air? are you ready black people, are you ready? nobody ever heard of the harlem culture festival. nobody would believe it happened. six weekends of major artists. kids were sitting up on the trees. i was nervous. i didn t expect a crowd like that. something very important was happening. it wasn t just about the music. 1969 was a change of era in the black community. the styles were changing. music was changing. a revolution was coming together. we are a new people. we are a beautiful people. that concert took my life ....
Way he was, was incredible. actually when he talked about apollo 11, the audience booed. you put that into perspective. we heard those boos, that was really the moment where we thought, okay, this might be much more than just put 17 songs together, and making a movie. we might have to have context, i want to know where these boos are coming from, and sure enough, we found the footage. we accidentally got sent the footage of the black reaction to the apollo mission. which is basically them saying like, you know, that s cool and all, but we still have problems here on earth. we have joblessness, homelessness, forget the moon. help us down here. as much as i studied history and was obsessed with music, there s so many new things that i learned in it and the back story. for instance, fifth dimension, what a crazy story about the ....
Important part in telling our story. we talk about the church and music coming from the church, one thing i didn t realize even though i loved his music and thought he was crazy and out of his mind was sly. what s weird about the sly and family stone performance, what s so revelatory about it is this is the first time that black america is seeing a band wear their street clothes. it s like the temptations. because even before them, motown made sure that all of his artists crossed his t s, dotted has i s, spoke proper english, crossed their legs when doing interviews, shook hands, curtesy, bow, all of those things. you watch david roughin, it s the middle of august, and david has on a wool tuxedo to the detriment of his own comfort. he has to be professional. he was taught, you have to be professional first and not yourself. and sly s whole thing is i m ....
We re just starting to have that conversation right now, but i think for a lot of musicians and creatives like music was the only refuge and escape, so i thought it was really important to put that in context. well, and music starts in the church. it started in the church. it was therapy. for everything. there s a quote. i m so glad you brought this up, because it brought up one of my favorite quotes from the film, and it was from the rev, reverend jackson. he said, we didn t know anything about therapists. we didn t know anything about lying on couches. but we did no mahali jackson. exactly. and i found that entire section to really did transcend. it was joy. it was a bleak time, a dark ....