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Louis Allday’s introduction to the newly reissued biography of Ghassan Kanafani outlines the choice Kanafani made between being an organic participant in the resistance and his life as a writer. Kanafani chose, and in doing so, chose his fate. ....
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Like the rest of us, Oraib Toukan receives images of war on her phone as a series of disjunctive, shaky video clips bracketed by sponcon. Distinctly attuned to the feelings of despair, powerlessness, and ethical compulsion these representations of abject cruelty might evoke among viewers, Toukan is not content to simply look. Instead, she meditates at length, using writing, photography, and film to respond to these granular artifacts of suffering and loss. This inquiry takes her deep into the materiality of film itself. She often enlists the help of interlocutors in this case, deceased Palestinian ....