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What might painting have in common with dance? The obvious answers: figuration, composition, gesture. The less obvious: music, a musicality driving a viewer’s experience of time and space. In September 2008, Artforum celebrated the work of iconoclastic British choreographer Michael Clark, inviting contributions from collaborators and admirers such as curator Catherine Wood, dancer Kate Coyne, and painter Silke Otto-Knapp. A lover of dance and theater, Otto-Knapp wrote with such precision and grace about Clark that reading her feels somewhat like dancing.  Note how the following sentence performs ....

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