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Just five years after beginning her career in visual effects, Chelsea Mirus can point to some very impressive accomplishments. An Adelaide native, Chelsea trained at Rising Sun Pictures (RSP) in 2016 while working toward a Media Arts degree from the University of South Australia (UniSA). Moving quickly into a staff position as a VFX Coordinator […]
Kumar’s hospitalization is just a precaution after the 45 crew members were quarantined with shooting temporarily put on hiatus.
B. N. Tiwari, president of the
Federation of Western India Cine Employees, told the
Indian Express that the positive cases came from the art department and Kumar’s team.
“It’s quite unfortunate that so many people tested positive at one go. While most were junior artists, a few from Akshay Kumar’s team also tested positive for COVID-19. They have all been quarantined and provided medical attention. With Akshay also in quarantine, the shoot has been suspended as of now.”
Much of it is the work of Co-VFX Supervisors
Matt Kasmir and
Gravity. Despite it being fairly obvious for
The Midnight Sky to be VFX-driven, many watching it might not realize how many aspects of the film relied on VFX.
Fortunately,
Below the Line had a chance to speak with Matt Kasmir – unfortunately, Lawrence was indisposed at the time – for the following interview where we go into great depth on the visual effects for
The Midnight Sky.
Below the Line: I know you and Chris worked on Gravity, but you were at different houses at the time, right?
Matt Kasmir: I’d actually just left
February 19, 2021 07:45 | By Staff
All Light, Everywhere (Courtesy: Sundance, Super Ltd.)
Anyone who works in the world of post knows the benefits of
Blackmagic Design‘s DaVinci Resolve Studio when it comes to the remote workflows needed to get footage, sound, graphics and other elements between locations, but Blackmagic Design has shared one particular case study about how creative studio
Nice Shoes have been using the software for its workflow between locations in New York, Toronto, Boston, Chicago and Minneapolis.
Blackmagic Design’s case study revolves around Nice Shoes’ Senior Colorist
Maria Carretero and her grading on the award-winning feature
Waikiki, as well as her work on the Sundance film