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The Good Men Project Become a Premium Member We have pioneered the largest worldwide conversation about what it means to be a good man in the 21st century. Your support of our work is inspiring and invaluable. Feminism in Early Modern Venice: Lucrezia Marinella This religious, heroic and allegorical poem has an extraordinary feminist subtext.
In the light of the current exhibition Unfinished Business: The Fight for Women’s Rights, I want to show a new acquisition, an Italian poem printed in Venice in 1618. This religious, heroic and allegorical poem has an extraordinary feminist subtext and its title is Amore innamorato, et impazzato poema di Lucretia Marinella; con gli argomenti, & allegorie a ciascun canto. Alla serenissima […] Caterina Medici, Gonzaga, duchessa di Mantova […] – “Poem on enamoured and mad love by Lucretia Marinella, with topics and allegories before each canto. Dedicated to Catherine de’ Medici Gonzaga, Duchess of M ....
Artemisia Gentileschi, HEIC ARTEMISIA the tombstone of Artemisia Gentileschi is said to have read. Clear and simple, forgoing the usual embellishments, such as names of father, husband, and children, dates of birth and death. HEIC ARTEMISIA, or HERE LIES ARTEMISIA. Artemisia: now commonly referred to by her first name only (Madonna! Cher! Beyoncé!), in order to avoid confusion with that other famous Baroque Gentileschi pittore, her father, Orazio. In life, she also went by the surname Lomi, a nod to the traditional artisans of her Tuscan heritage, which she thought might endear her to the powers and patrons of Florence, where she moved from Rome in 1613, at the age of nineteen. ....