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Transcripts for BBCNEWS BBC News 20211219 04:23:00

more than left his mark. the richard rogers vision was of a city that was open, sociable, welcoming. the british architect richard rogers who s died at the age of 88. paul goldberger is a pulitzer prize winning architecture critic, here s what he had to say about richard rogers legacy. i think his legacy is really one of trying to make modernism exuberant. he really, he did not see technology and the modern style as dry and cerebral. he wanted people to connect with it emotionally. even if you go back to something like the pompidou centre paris, i mean, it s fun. it s fun to look at, it s crazy and wild but it s also fun. and everything that he did had a quality of great discipline

Transcripts for BBCNEWS BBC News 20211219 05:19:00

trying to create a world which is influenced for the better, through public space, through private space and so on. the welsh zenith, terminal 5 at heathrow. he was bold, colourful and has more than left his mark. the richard rogers vision was of a city that was open, sociable, welcoming. the british architect richard rogers who s died at the age of 88. paul goldberger is a pulitzer prize winning architecture critic. here he assesses richard rogers legacy. i think his legacy is really one of trying to make modernism exuberant. he really, he did not see technology and the modern style as dry and cerebral. he wanted people to connect with it emotionally.

Transcripts for BBCNEWS BBC News 20211219 03:18:00

prize winning architecture critic, paul goldberger. paul, esther place to start is how you would set sum up richard rogers legacy. 1 how you would set sum up richard rogers legacy. i think his legacy richard rogers legacy. i think his legacy is richard rogers legacy. i think his legacy is really richard rogers legacy. i think his legacy is really one - richard rogers legacy. i think his legacy is really one of- his legacy is really one of trying to make modernism exuberant. he really, he did not see technology and the modern style as dry and surreal brawl. he wanted people to connect with it emotionally. evenif connect with it emotionally. even if you go back to something like the pompidou centre in parrott day paris was obvious fun to look at, it is crazy is wild but it is fun to look at. pompidou centre in paris. it was entertaining and you felt an emotional connection to it. his love of colour which went all the way through his work was another part of that i thi

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