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Chinese Opera Base in the Qingyun Hutong / Origin Architect


© Zhi Xia
Text description provided by the architects. Spaces, in urban, may be formed overnight, but the soul of the city must not be shaped if it is not deposited, immersed, and chafed for a long period of time.
Origin
Located on the south side of the Forbidden City in Beijing, the Qianmen District has witnessed the rise and fall of the city for centuries. Qingyun Hutong No.23-29 courtyards lie on the eastern area of the Qianmen District, just like a miniature imprint in this grand epic. South courtyard, facing the theater stage of the Pingyao Pigment Hall across the alley, once sheltered Mei Lanfang, a Peking Opera master a hundred years ago. He used to train his voice in the courtyard brewing his unique artistic style. Once being the Guandi Gao Temple, there were abundance of well-structured halls following strict order during the heyday of religion in the Middle Courtyard, and the Hutong streets nearby were all named after it. The North Courtyard was occupied dec ....

Guandi Gao Temple , Gao Temple , Mei Lanfang , Zhi Xia , Chinese Opera , Chinese Opera Base , Qingyun Hutong , Origin Architect , Forbidden City , Qianmen District , Pingyao Pigment Hall , Peking Opera , Middle Courtyard , North Courtyard , South Courtyard , Sanli River , கொ கோயில் , ழி கிஷிய , சீன ஓபரா , சீன ஓபரா அடித்தளம் , ஆரிஜிந் கட்டட வடிவமைப்பாளர் , தடைசெய்யப்பட்டுள்ளது நகரம் , பேகிங் ஓபரா , நடுத்தர முற்றம் , வடக்கு முற்றம் , தெற்கு முற்றம் ,

Chinese Opera Base in the Qingyun Hutong / Origin Architect


© Zhi Xia
Text description provided by the architects. Spaces, in urban, may be formed overnight, but the soul of the city must not be shaped if it is not deposited, immersed, and chafed for a long period of time.
Origin
Located on the south side of the Forbidden City in Beijing, the Qianmen District has witnessed the rise and fall of the city for centuries. Qingyun Hutong No.23-29 courtyards lie on the eastern area of the Qianmen District, just like a miniature imprint in this grand epic. South courtyard, facing the theater stage of the Pingyao Pigment Hall across the alley, once sheltered Mei Lanfang, a Peking Opera master a hundred years ago. He used to train his voice in the courtyard brewing his unique artistic style. Once being the Guandi Gao Temple, there were abundance of well-structured halls following strict order during the heyday of religion in the Middle Courtyard, and the Hutong streets nearby were all named after it. The North Courtyard was occupied dec ....

Guandi Gao Temple , Gao Temple , Mei Lanfang , Zhi Xia , Chinese Opera , Chinese Opera Base , Qingyun Hutong , Origin Architect , Forbidden City , Qianmen District , Pingyao Pigment Hall , Peking Opera , Middle Courtyard , North Courtyard , South Courtyard , Sanli River , கொ கோயில் , ழி கிஷிய , சீன ஓபரா , சீன ஓபரா அடித்தளம் , ஆரிஜிந் கட்டட வடிவமைப்பாளர் , தடைசெய்யப்பட்டுள்ளது நகரம் , பேகிங் ஓபரா , நடுத்தர முற்றம் , வடக்கு முற்றம் , தெற்கு முற்றம் ,

Gallery of Chinese Opera Base in the Qingyun Hutong / Origin Architect

Gallery of Chinese Opera Base in the Qingyun Hutong / Origin Architect
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Guandi Gao Temple , Mei Lanfang , Forbidden City , Qianmen District , Pingyao Pigment Hall , Peking Opera , Middle Courtyard , North Courtyard , தடைசெய்யப்பட்டுள்ளது நகரம் , பேகிங் ஓபரா , நடுத்தர முற்றம் , வடக்கு முற்றம் ,