million digital only subscribers. 1 million only digital subscribers. as it goes forward the times has a new form of story telling. its latest project is a 10-minute virtual reality film that tells the story of children displaced by war. this weekend more than a million subscribers received google virtual reality viewers. i am pleased to have you at this table for the first time. welcome. it is a pleasure to be here. thank you so much. charlie: what is virtual reality film? for me it is a different way of telling a story. it is a dramatic visual form of story telling that makes you feel as if you re in the middle of the field. in the case of these three migrant children it makes you feel like you re walking among them, like you could actually reach out and touch them. charlie: it puts you there. it puts you there. it is a powerful piece of journalism and a great new story telling device. charlie: how will you use it? you know, you can use it all kinds of ways. we ha
digital only subscribers. 1 million only digital subscribers. as it goes forward the times has a new form of story telling. its latest project is a 10-minute virtual reality film that tells the story of children displaced by war. this weekend more than a million subscribers received google virtual reality viewers. i am pleased to have dean baquet at this table for the first time. welcome. dean: it is a pleasure to be here. thank you so much. charlie: what is virtual reality film? dean: for me it is a different way of telling a story. it is a dramatic visual form of story telling that makes you feel as if you re in the middle of the field. in the case of these three migrant children it makes you feel like you re walking among them, like you could actually reach out and touch them. charlie: it puts you there. dean: it puts you there. it is a powerful piece of journalism and a great new story telling device. charlie: how will you use it? dean: you know, you can use it all kind
captioning sponsored by rose communications from our studios in new york city, this is charlie rose. rose: dean baquet is here. he is the executive editor of the new york times. it is the top position in the news room. he took over in may of last year succeeding jill abramson. she was the paper s first female editor. he became the first african-american to hold the post. the digital era has disrupted the business of journalism as many of you know and has presented challenges and opportunities. many traditional news organizations have reduced staff in face of significant competition from digital outlets. the new york times has withstood the downturn. last month, reached the milestone of 1 million digital-only subscribers. as it charts its path forward, the times is experimenting with a new form of storytelling. the lathest project a ten-minute virtual reality film that tells the story of children displaced by war. this week more than a million new york times subscrib
captioning sponsored by rose communications from our studios in new york city, this is charlie rose. rose: dean baquet is here. he is the executive editor of the new york times. it is the top position in the news room. he took over in may of last year succeeding jill abramson. she was the paper s first female editor. he became the first african-american to hold the post. the digital era has disrupted the business of journalism as many of you know and has presented challenges and opportunities. many traditional news organizations have reduced staff in face of significant competition from digital outlets. the new york times has withstood the downturn. last month, reached the milestone of 1 million digital-only subscribers. as it charts its path forward, the times is experimenting with a new form of storytelling. the lathest project a ten-minute virtual reality film that tells the story of children displaced by war. this week more than a million new york times subscrib
Sanjay Leela Bhansali’s magnum opus Heeramandi will start streaming on Netflix from May 1. This series promises the filmmaker's maximalist aesthetic and his interest in troubled or tragic love stories.