Exaudi. This lunchtime recital, entitled
Chromatic Renaissance, intersperses 16th and 17th-century works with a selection of madrigals from contemporary composer James Weeks’s
Primo Libro. The program opens with four of Orlande de Lassus’s
Sibylline Prophecies
2 pm ET: Hamburg International Music Festival presents
Insula Orchestra & Laurence Equilbey. Laurence Equilbey conducts Insula Orchestra and Accentus Choir in an all-Schumann program comprising
Vom Pagen und der Königstochter Op. 140,
Des Sängers Fluch Op. 139,
Requiem für Mignon Op. 98b, and
Nachtlied Op. 108. View here.
2:30 pm ET: Wigmore Hall presents Kaleidoscope Chamber Collective. Wigmore Hall’s 120th anniversary sees the Hall’s Associate Ensemble joined by soprano Mary Bevan for Fauré’s
Verdi’s
Nabucco. Conductor: Marco Armiliato, director: Günter Krämer. With Plácido Domingo, Freddie De Tommaso, Riccardo Zanellato, Anna Pirozzi. Production from January 2021. Register for free and view here. 8 am ET: Wigmore Hall presents Timothy Ridout & Tom Poster. 2019 New Generation Artist Timothy Ridout joins Tom Poster from Wigmore Hall’s Associate Artists, the Kaleidoscope Chamber Collective, to bring the world première of Kurt Schwertsik’s
Haydn lived in Eisenstadt, written especially for this concert. This will be performed between two Brahms viola sonatas which were originally written for clarinet. Register, view here and on demand for 30 days. LIVE
The Pacific Symphony returned to the stage this year for a new online performance series.
The “Symphony Thursdays” series, filmed at Renée and Henry Segerstrom Concert Hall during its COVID-19 closure, is available through an online service called Pacific Symphony+, and it’s available online for free.
The program kicked off with a 23-minute video of
Richard Strauss’ “Serenade for 13 Winds” and the finale of Tchaikovsky’s “Serenade for Strings” on Feb. 25 in conjunction with the symphony’s new mobile app. While 300 live viewers tuned into the performance, viewership after the event grew. Compared to last year, the symphony’s YouTube page received six times additional viewership, and its Facebook page received eight times additional viewership.