The storm brings winds of up to 65 mph. Now on bbc news, take me to the opera the power of glyndebourne. Ive been an opera fan for decades, and i want to share my passion with you. So im on a mission to find out how opera is reinventing itself for the 21st century. This time i go to glyndebourne in the english countryside to find out why its a unique place that offers more than opera. Weve got beautiful grounds and gardens and lakes, a wonderful visual art gallery and then a wonderful opera. Glyndebourne may be a historic venue, but it is also trying to make Opera Fit For The Future by being a pioneer in sustainability. We were the first Arts Organisation to put up a wind turbine. Were running on wind. Glyndebourne, as an icon in operatic sustainability, has really got a very strong place. And glyndebourne is embracing a drive towards greater diversity. Its about making sure that Diverse Communities have access to opera. If we keep opening the door, more people will come into it. But d
Now on bbc news. Take me to the opera the power of glyndebourne. Ive been an opera fan for decades, and i want to share my passion with you. So im on a mission to find out how opera is reinventing itself for the 21st century. This time i go to glyndebourne in the english countryside to find out why its a unique place that offers more than opera. Weve got beautiful grounds and gardens and lakes, a wonderful visual art gallery and then a wonderful opera. Glyndebourne may be a historic venue, but it is also trying to make Opera Fit For The Future by being a pioneer in sustainability. We were the first Arts Organisation to put up a wind turbine. Were running on wind. Glyndebourne, as an icon in operatic sustainability, has really got a very strong place. And glyndebourne is embracing a drive towards greater diversity. Its about making sure that Diverse Communities have access to opera. If we keep opening the door, more people will come into it. But does innovation, sustainability and diver
Trying to make Opera Fit For The Future by being a pioneer in sustainability. We were the first Arts Organisation to put up a wind turbine. Were running on wind. Glyndebourne, as an icon in operatic sustainability, has really got a very strong place. And glyndebourne is embracing a drive towards greater diversity. Its about making sure that Diverse Communities have access to opera. If we keep opening the door, more people will come into it. But does innovation, sustainability and diversity matter, or do audiences really only care about great Opera Performances . Let me take you to the opera. Glyndebourne in sussex, about 150 kilometres south of london, is a popular destination for thousands of opera lovers every year. They sing operatically. As well as opera, audiences can take a stroll, have a picnic in the beautiful grounds, they can visit a magnificent stately home and admire Contemporary Art at the sites gallery, which this season features the Award Winning artist lubaina himid, wi
Now, you today have a very powerful, unique, creative voice. You use it loudly. How difficult was it to find that voice, to make that move away . Now, i should say, i do come from a traditional observant background. However, my father is a professor of history. So from that perspective, i came from an intellectually very open culture, even whilst, yes, i have been to a talk as a young woman on the subject, the beauty of a woman is in her silence. So, yes. And you were brought up in a religion and you talk about it quite openly in stuff youve written about your past, where at school, every morning, everybody said, thank you, god, for not making me a slave. And then the boys said, thank you, god, for not making me a woman. Yes, and the girls say, thank you, god, for making me according to your will. Yes, its, in some ways, quite a misogynist religion. I think that is a very misogynist type of prayer. I think i became increasingly. Well, i certainly increasingly had the feeling that it wa
Naomi alderman, welcome to hardtalk. Thank you for having me. I want to start at the beginning. You were raised in a very traditional, observant orthodoxJewish Community in north london where, i think its fair to say, women and girls were expected, by and large, to stay in the background. Now, you today have a very powerful, unique, creative voice. You use it loudly. How difficult was it to find that voice, to make that move away . Now, i should say, i do come from a traditional observant background. However, my father is a professor of history. So from that perspective, i came from an intellectually very open culture, even whilst, yes, i have been to a talk as a young woman on the subject, the beauty of a woman is in her silence. So, yes. And you were brought up in a religion and you talk about it quite openly in stuff youve written about your past, where at school, every morning, everybody said, thank you, god, for not making me a slave. And then the boys said, thank you, god, for no