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By focusing on the slower, more structured rounds of boxing over the fast-paced hustle of a card sharp, M’Carthy’s production invites us to watch the hands when we really should be watching the eyes. It’s a thoughtful idea that doesn’t fully pay off in dividends of energy and connection to the audience, leading Canadian Stage’s season-opener to be a good production of a great play.

New jerseyUnited statesNew yorkConey islandStephen surlinMazin elsadigAbraham lincolnTawiah mcarthyBrent staplesLincoln heinsRachel forbeNew york timesTawiahm carthySuzan lori park pulitzer winningThree card monteCanadian stage