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'Kontora': A poetic meditation on the human cost of war


March 20
“Kontora” avoids the moralizing and sentimentalizing endemic to the war film genre in Japan. Instead, it makes its points more by poetic metaphor, though it is also firmly grounded in the real, including the darker sides of its characters’ psyches. The expressionistic black-and-white cinematography by Max Golomidov enhances both aspects by placing the action in a borderland between disturbed dream and stark waking reality.
At 144 minutes, the film risks overstaying its welcome. After seeing it for the second time, though, I felt drawn deeper into its central question: Why is that homeless man walking backward?
Played with sprightly invention and total commitment by stage actor Hidemasa Mase, he appears early on, nameless, mute and dressed in ragged clothes, taking step after step backward through and around a town in the countryside, despite the stares of the locals. ....

Anshul Chauhan , Sydney Pollack , Hidemasa Mase , Max Golomidov , Ridley Scott , World War , Wan Marui , World War Ii , அன்ஷுல் ச U கான் , சிட்னி போலேக் , ரிட்லி ஸ்காட் , உலகம் போர் , வ்யாந் மாருய் , உலகம் போர் ீ ,