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i m sure you would love to believe that that film is like a museum piece. like it s no longer relevant. but does it feel that way to you? no. i would love to. ..to think the opposite. i would love to think that each of my movies are relevant forever and will be remembered forever. but i guess what i meant was, wouldn t it be great if some of the issues. were not. yes. ..you had exposed were no longer issues? the problem is that i make political movies. and i did a movie like ten years ago, 15 years ago that s back on the news today because we have a revolt in new caledonia. that s a film called rebellion. rebellion, yeah. so, you know, that s, when you do political movies, either you re totally wrong and you re not relevant or you re right and nobody s listening. so, so that s, erm, that s. that was the case with rebellion, that was the case with la haine. but here we sit talking in paris. you live in paris. does it feel like paris still has a profound problem with, for ....
around the iraq and afghanistan wars endangered lives. wikileaks, founded in 2006, claims to have published more than 10 million documents in what the us government described as one of the largest compromises of classified information in the history of the united states. assange and his lawyers have long claimed that the case was politically motivated. i spoke to nomia iqbal. nomia, you have been following this. tell us about the agreement. it is interesting. although he has been injail in the uk since 2019, the actual story ofjulian assange has been running for more than a decade, hasn t it? so his wikileaks website rose to prominence in 2010. you mentioned there this breach that the americans said was the largest of its kind in us military history. wikileaks released more than 90,000 classified military documents on the afghanistan war and also released more than 400,000 secret documents on the iraq war and he s long been accused of putting american operatives lives ....
20 years old. the event it portrays were already 20 years old- the event it portrays were already 20 ears old. ~ , ., ., ., 20 years old. why do you want that? it s a known 20 years old. why do you want that? it s a known story, 20 years old. why do you want that? it s a known story, and 20 years old. why do you want that? it s a known story, and it s 20 years old. why do you want that? it s a known story, and it s a - 20 years old. why do you want that? it s a known story, and it s a very - it s a known story, and it s a very special, so many symbols in that story that can relate to what s going on in the world right now, and with the way the world is shaped. and the way it s rigged. so i thought it was a very important not to forget about it, and actually the story that we heard was not a true story, so it was also about trying to tell the truth and memory. 50 story, so it was also about trying to tell the truth and memory. so you saw it as a to tell the truth an ....
is totally defeated. our middle east correspondent jon donnison has more from jerusalem on the uncertain political situation. well, i don t think the disbanding of the war cabinet is going to have a significant impact, really, on israeli strategy in the war in gaza. but it is symbolic, because the war cabinet was set up in the days following the october 7 attack really as a symbol of political unity. well, the truth is that political unity has evaporated. so you have prime minister netanyahu looking increasingly isolated, with the resignation last week of benny gantz, the centrist opposition leader, and his ally, gadi eisenkot, both of them relatively moderate figures, both men with vast military experience. and, in particular, someone who i think the americans were keen to hear their views. so now, mr netanyahu will be calling the shots and making the decisions with regard to the war, while talking to his closest ministers and advisers. so, as i say, no real change in the st ....
welcome to hardtalk. thank you for having me. it is three decades since you made la haine hate. i m sure you would love to believe that that film is like a museum piece. like its no longer relevant. but does it feel that way to you? no. i would love to. ..to think the opposite. i would love to think that each of my movies are relevant forever and will be remembered forever. but i guess what i meant was, wouldn t it be great if some of the issues. were not. yes. ..you had exposed were no longer issues? the problem is that i make political movies. and i did a movie like ten years ago, 15 years ago that s back on the news today because we have a revolt in new caledonia. that s a film called rebellion. rebellion, yeah. so, you know, that s, when you do political movies, either you re totally wrong and you re not relevant or you re right and nobody s listening. so, so that s, erm, that s. that was the case with rebellion, that was the case with la haine. but here we sit ta ....