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40 years later, Halley's day-glo comet returns

The colors of a Peter Halley painting are assaultive — lurid hazmat oranges and jaundiced yellows nearly blinding in their acid-dipped fluorescen

40 Years Later, The Return of Halley's Day-Glo Comet

With four shows of work from the ’80s traveling the globe, the artist is still seeing what he can get away with.

Celebrating the 80th anniversary of Butler Gallery in Kilkenny

An exhibition celebrating the 80th anniversary of the foundation of the Kilkenny Art Gallery Society, as the Butler Gallery was first known is now running until.

Emmelyn Butterfield-Rosen on Titian's Poesie for Philip II - Artforum International

FEW FACES TO MEET the public spotlight in recent years have more to tell about the mental mechanisms of male shame, impunity, and self-absolution than that of the furry brown-and-white-spotted Spanish pointer staring out of Titian’s Diana and Callisto, 1556–59. This dog has been a bad dog, as he seems to know. (I say “he” since, according to the visual logic of gender organizing the suite of pictures of which Diana and Callisto forms one-sixth, Titian’s “big dog” simply can’t be a bitch.)1 Sometime previously, on a hunting trip that took an unexpected twist, this Spanish pointer turned against