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Access Bank sponsors 'Cultural Weekend' by Gallery 1957

Access Bank sponsors 'Cultural Weekend' by Gallery 1957
graphic.com.gh - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from graphic.com.gh Daily Mail and Mail on Sunday newspapers.

United States , City Of , United Kingdom , Greater Accra , Olumide Olatunji , Marwan Zakhem , Kempinski Gold Coast Hotel , Access Bank , Access Bank Ghana , Access Bank Perfect Start , Independence Day , West African , Cultural Weekend , Palais De Lome , Timothy Arthur , Managing Director , Ball Walks ,

ACCESS BANK SUPPORTS CREATIVE ARTS INDUSTRY IN GHANA

ACCESS BANK SUPPORTS CREATIVE ARTS INDUSTRY IN GHANA
ghanaiantimes.com.gh - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from ghanaiantimes.com.gh Daily Mail and Mail on Sunday newspapers.

United States , City Of , United Kingdom , Greater Accra , Timothy Arthur , Olumide Olatunji , Marwan Zakhem , Kempinski Gold Coast Hotel , Access Bank Ghana Plc , Access Bank , Our Bank , Access Bank Ghana , Matilda Asante Group Head Of Retail Banking , Creative Arts Industry , Palais De Lome , Independence Day , West African , Cultural Weekend , Matilda Asante , Group Head , Retail Banking , Managing Director , Architect Timothy Arthur ,

Inside the Accra Art Boom: How a Rising Generation of Dealers in Ghana Are Seizing the Moment

Inside the Accra Art Boom: How a Rising Generation of Dealers in Ghana Are Seizing the Moment
artnet.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from artnet.com Daily Mail and Mail on Sunday newspapers.

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Ayodeji Rotinwa at "Homecoming: Aesthetic of the Cool" at 1957 Gallery

Otis Quaicoe, Kwesi Botchway, and Amoako Boafo. All photos unless noted: Nii Odzenma.
LAST SEPTEMBER, when Artnet published a sweeping account of the dramatic ascent of Amoako Boafo, whose fingerpainted portraits of Black people had apparently cast a spell over the market, it read like the script of a Hollywood blockbuster. Replete with eye-popping prices, secret deals, greedy collectors and curators, and a ballsy move by Boafo himself to seize control of his own work, the profile laid bare the inner workings of a rapacious art market. It also sharply framed the increasing international hunger for contemporary African portraiture and the surge of pressure it creates for the emerging artists producing this work. ....

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First art prize dedicated to female African artists launches today

Akԑ yaaa heko. One does not take it anywhere by Paa Joe and Elisabeth Efua Sutherland
Courtesy Gallery 1957, Accra. Photo Nii Odzenma.
The Yaa Asantewaa Art Prize the first ever dedicated award for female African artists living and working in Africa launches today in Accra, Ghana. Organised by the Accra-based Gallery 1957, it seeks to increase the visibility of African female artists on the international art scene.
Named after the Ghanaian queen, the prize launches to coincide with the gallery’s fifth anniversary celebrations, and is open to all female and self-identifying female artists based in Ghana or belonging to the Ghanaian diaspora. ....

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