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Collecting Moroccan Fashion - Victoria and Albert Museum

The main aim of this project is to establish a representative collection of Moroccan men and women’s urban fashion from the postcolonial period to the present. The 1960s and 70s are an especially high priority area because these garments are not yet considered historically valuable within Morocco, and are rapidly disappearing.

Articulating the Ḥijāba: Cultural Patronage and Political Legitimacy in al-Andalus – The ʿĀmirid Regency c 970-1010 AD

Articulating the Ḥijāba: Cultural Patronage and Political Legitimacy in al-Andalus – The ʿĀmirid Regency c 970-1010 AD
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Deconstructing the Code: Craft Collaborations in Morocco

Sara Ouhaddou discusses working w/ female weavers in the Atlas Mountains, potters in Marrakesh, and young female embroiderers in Tetouan. About this Event In this conversation, Dr Mariam Rosser-Owen of the Victoria and Albert Museum, London, will speak with the French-Moroccan artist, Sara Ouhaddou, about her past projects working with female weavers in the Atlas Mountains, with potters in Marrakesh to produce geometric ceramic tiles, and with young female embroiderers in Tetouan. Sara will also discuss her current project,  Sin Ithran, Ur Mqadan, Rousn (Two Stars, Unbalanced, They Burn), in which she is developing a work on glass to research the use of architectural coloured glass windows in medieval Morocco.

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