In the opening minutes of the film adaptation of The Bonfire of the Vanities, Bruce Willis’s journalist Peter Fallow arrives in an inebriated state to the launch of his new book. Through a glorious, unbroken tracking shot, Fallow indulges in the excesses of celebrity while being fawned over by the New York socialite and intellectual scene. His writing is said to be as vital to literature as Anna Karenina. Once a washed-up has-been, Fallow is now.