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Ritterfest vor Burg Hochosterwitz

Das vier Hektar große Areal am Fuß der Burg Hochosterwitz, auf dem einst die Pferde versorgt wurden, ist noch bis Sonntag in einen mittelalterlichen Marktplatz verwandelt worden. Besucher fühlen sich bei dem Ritterfest in die Zeit des Mittelalters zurück versetzt. ....

Margaret Maultasch , Castle Has , Guards Commander Andreas , Gold Walnut , Ritterkampf Battle , கோட்டை உள்ளது , பழையது வாதுமை கொட்டை ,

Angles of image define The Ugly Duchess wrapping Northern Light Theatre's season


Author of the article: Liane Faulder
Publishing date: May 19, 2021  •  1 day ago  •  4 minute read  • 
Lora Brovold stars as Margaret Maultasch in the Northern Light Theatre production of The Ugly Duchess. Epic Photography
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To call her homely would be kind. But there was something in the visage of Margaret Maultasch, the last countess of Tyrol and princess of Carinthia, that touched the heart (and creative mind) of Victoria playwright Janet Munsil.
Munsil was strolling through London’s National Portrait Gallery when she saw Maultasch’s portrait, painted sometime after her death in 1639. With a high and protruding forehead and a large and masculine mouth, Margaret looked more like a lumbering male peasant than a wealthy medieval princess. (Indeed, two ....

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The Great British Art Tour: the ugly duchess, warts and all


Her attire, especially her bejewelled horned headdress, is lavish. Unconcerned with the decorum expected from elderly women in Renaissance Europe, she has chosen a tightly laced blue dress that emphasises her wrinkled cleavage. But, however fine her clothing, by the time this panel was painted her outfit would have seemed laughably outdated – the clothes were fashionable in her youth, but by 1510 her attire would have made the sitter a figure of ridicule rather than of high fashion.
The old woman is wearing this elaborate garment in the hope of attracting a suitor. This was once explicit. The painting has a pendant: a panel depicting An Old Man now in a private collection. Turned towards her companion, the old woman offers him a rosebud – a token of love, which he firmly refuses. Sixteenth-century viewers were invited to laugh at her self-delusion, but she seems blissfully unperturbed by this rebuttal. Today her defiance might inspire empathy or even admiration. ....

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