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Between one culture and another, there is always a third space

Islamic designs have moved west, where they’ve been adapted and where their origins may not even be recognised

Soheila kolahdouz esfahaniSoheila kolahdouzSunday timesBusiness dayFinancial mailTazeen qayyumOleg grabarMallards reedsIslamic art in search of modernityMaison cartierHomik bhabhaA holding patternDallas museum of artMuse des arts dcoratifsPearson airportSara ahmed

Contemporary Muslim artists continue to adapt Islamic patterns to challenge ideas about fixed culture

As Islamic geometric patterns and arabesque designs have migrated globally, they’ve been adapted, and may not even be recognized as bearing the influence of Islamic societies.

France generalHomik bhabhaTazeen qayyumMaison cartierXiaojing yanSoheila esfahaniSara ahmedOleg grabarJude abu zeinehWilliam morrisCultural organizationCanadian cultural centreA holding patternDallas museum of artIslamic artDes arts

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