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The catalogue, which also serves as a standalone monograph, examines the ways in which he used and circumvented systems for his networked art. Carrión emerges as a figure who teaches himself systems and technologies (such as the mimeograph) in order to dismantle or destabilize them as a means of rebuilding a more open network, one that emphasizes plural authorship, community, and artist-led creation.

Felipe becerraJavier rivero ramosSal hamermanZanna gilbertJonathana hillMail art and erratic networksPrinceton universityPrinceton university pressPrinceton university libraryNew artTime space sequenceCultural strategyMail art