So much. Gloria and gloria, thats so interesting because i think lot of us have had to, still deal with, that still have t living in both worlds. But dina, you were forced to embrace one identity and hollywood, right i feel like i was living in three worlds there was my world that i grew up in, also Spanish Speaking home, human parents, and the you go out to the world and i speaking english, and im in the bronx, south bronx and then going into this industry as an actress, then nobody recognizes you as eithe one. There was no place for me as a latina, and then as a blac woman, i didnt identify as black woman because for me, it was cultural because of course, i present black, im a black women, i am also cuban when you are here in the unite states and they ask you, put you into a box, and you don fit into the box, culturally i was different. It was not one that identified with, but to work, to survive, it was something that i had to learn. To then learn to be whatever black was. And then
but - there is also word for it it was the power to recognize. it code switching i just learned that and i feel like i could switch all the time i m from the inner city of chicago. i code switch so that intercit stuff to, like, okay, yes, the property, to the hollywood thing and the boxes that the love to put this and i hollywood. you are talking about, is i prevalent in the latin community to the fact that our latina dad i not, you know, accepted or it not talked about it s interesting for me t hear that because when i loo to media outside of, like, m home for representation, it wa women like you, very few onscreen, which was an african american television market where i couldn t piece togethe like, oh my goodness torres is her last game, wow growing up in the bronx, man of us are, you know, black and brown, but i just could not be that, you know i hoped that at some point, we