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“It’s more than an exorcism; it’s a conspiracy.” So says director Julius Avery about The Pope’s Exorcist, the terrifying new horror thriller opening in cinemas April 19. “There’s something much bigger going on. The stakes are massive,” ....
“It’s more than an exorcism; it’s a conspiracy.” So says director Julius Avery about The Pope’s Exorcist, the terrifying new horror thriller opening in cinemas April 19. “There’s something much bigger going on. The stakes are massive,” To give the audience the feeling of how big the stakes are, Avery shot the film in larger-than-life international locations that reflected everything the characters uncover. “We shot on location in Rome. We shot in Ireland. We found amazing, old architecture, where we built some of the biggest sets I’ve been involved in,” he adds. ....
This year marks 60 years since Holly Golightly stepped on to Fifth Avenue in Breakfast at Tiffany’s (1961) in her iconic LBD with its pearl back. It’s a two-hour treat and I always pull my chair closer to the screen for a better view of Hubert de Givenchy’s costumes, especially those awesome funnel-neck coats. I don’t even notice Grace Kelly’s voice anymore when watching High Society (1956). All I see are those achingly gorgeous costumes designed by MGM’s Helen Rose, who went on to design Kelly’s wedding dress. Favourite fashion moments are when Kelly slips out of a Grecian robe to reveal a white halterneck bathing suit and, later, when she dances with Frank Sinatra in swirling layers of embellished grey and pink chiffon, a dress which now lives in the Museum of Style Icons in Newbridge, Co Kildare. ....
This year marks 60 years since Holly Golightly stepped on to Fifth Avenue in Breakfast at Tiffany s (1961) in her iconic LBD with its pearl back. It s a two-hour treat and I always pull my chair closer to the screen for a better view of Hubert de Givenchy s costumes, especially those awesome funnel-neck coats. I don t even notice Grace Kelly s voice anymore when watching High Society (1956). All I see are those achingly gorgeous costumes, designed by MGM s Helen Rose, who went on to design Kelly s wedding dress. Favourite fashion moments are when Kelly slips out of a Grecian robe to reveal a white halterneck bathing suit and, later, when she dances with Frank Sinatra in swirling layers of embellished grey and pink chiffon, a dress which now lives in the Museum of Style Icons in Newbridge, Co Kildare. ....