[ booing ] wants i mean honestly. Honestly, its hard to believe. Hillary wants a 550 increase in syrian refugees. All together Hillary Clintons plan would bring in 620,000 refugees in her first term alone with no effective way to screen or vet them. Her plan would cost 400 billion in terms of lifetime welfare and entitlement costs. This isnt just a matter of terrorism. But also a matter of quality of life. Many of you are just starting off on this incredible journey. It is about quality of life. It is about safety. Its about safety. It is very important. [ cheers and applause ]. Have to have a safe country. We want to make sure we are only admitting people into our country who love our country. My highest duty as president is to protect our citizens and to uphold the constitution of the United States. I will honor that duty to the fullest extent every single day and i will never waver in the sacred obligation. It is just a plain fact that our current immigration system makes no real at
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Walking into a room of Jackson Pollock’s drip-paintings in 1951, Helen Frankenthaler said the experience was like moving to Lisbon with no Portuguese and feeling compelled to put down roots: “I wanted to live in this land, and I had to live there but I just didn’t know the language.” This wild terrain was Abstract Expressionism and, while it may have seemed a far-flung monoglot culture to the precocious 22-year-old Frankenthaler, her own syntax of forms would soon come to express so much of what that language was able to articulate.
Frankenthaler’s immersion did not take long. After completing her art school studies at Bennington College in 1950, she moved back to New York, and by the following spring she was offered her first solo show at Tibor de Nagy Gallery on the strength of her formative abstractions.