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What is it? The Art Newspaper s XR Panel has spent the global pandemic viewing work remotely and virtually. Here we review the year and highlight some of our favourite, and least favourite, XR experiences. With works by: The Metropolitan Museum of Art, Sol LeWitt, bitforms galleryand others. The XR panel was launched by The Art Newspaper in July 2020 in response to a growing need to consider XR art as an interconnected review of the art and technology. It is produced by Louis Jebb and curated by Gretchen Andrew. All reviews in this series can be found here. Highest rated (4.5 stars) ....
Curator’s Note Gretchen Andrew: It is a common complaint in the art world that those in the tech industry don’t support art at the scale of their brethren in the finance industry. With the tech industry the place to make a fortune, this is a real problem for the arts and artists. If we think about the banking and art market shifts that occurred in the 1980s, we see a relationship where capital and culture reached frenzied alliance. Over these past three decades we have also seen instruments of financial trade divorced irrevocably from hard value. We see the rise of flash trading, subprime mortgages packaged” with supposedly better securities and abstracted from homes; Enron trading energy as if oil physically moved like money; and the pre-eminence of derivatives where the directional value isn’t as important as the size of the change. Even in Warren Buffett’s principles of investing may be to the contrary, this is still the market we operate in. ....