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Nick Pinkerton on Jia Zhangke's Swimming Out Till the Sea Turns Blue (2020)

SPEAKING ON THE CLIMAX of his 1984 period piece Shanghai Blues, which ends on a Hong Kong–bound train from Shanghai, the Saigon-born, Hong Kong–based filmmaker Tsui Hark offered that the Chinese “are caught in something like a migrating curse, moving from one place to another.”On the face of it, Tsui’s cinema, with its staccato editing and pop sensibility, might seem to have little to do with that of Jia Zhangke, who has been the most prominent Mainland Chinese filmmaker on the festival circuit since his first feature, Pickpocket, played the Berlin International Film Festival in 1998 the title ....

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'Swimming Out' Film Review: Jia Zhang-Ke Keeps His Eye on a Changing China


‘Swimming Out’ Film Review: Jia Zhang-Ke Keeps His Eye on a Changing China
In “Swimming Out Till the Sea Turns Blue,” the auteur examines the nation’s evolving cultural perspectives through a quartet of authors
Robert Abele | May 25, 2021 @ 9:55 AM
Cinema Guild
The great Chinese filmmaker Jia Zhang-Ke has made both dramas and documentaries across his award-winning career so far, yet what binds all his movies is a sense that the labels of fiction and non-fiction aren’t as necessary as the observation that what he’s working in is a large, unimpeachable truth about people and progress in a rapidly changing China. ....

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