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Kablusiak wins 2023 Sobey Art Award $100,000 grand prize

Canada’s preeminent contemporary arts award recognizes artist for practice that confounds old categories and points to new imaginaries OTTAWA, ON, Nov. 18, 2023 /CNW/ – Kablusiak is the grand winner of the $100,000 2023 Sobey Art Award, Canada’s preeminent prize for contemporary visual arts. The announcement was made this evening by 2022 Sobey Art Award […]

On the Hudson, visions for a new Native American Art

MoMA opens Gabrielle L Hirondelle Hill s first solo museum exhibition in the U S

MoMA opens Gabrielle L Hirondelle Hill s first solo museum exhibition in the U.S. Installation view of Projects: Gabrielle L’Hirondelle Hill, The Museum of Modern Art, New York, April 25, 2021 – August 15, 2021. © 2021 The Museum of Modern Art. Photo: Denis Doorly. NEW YORK, NY .-The Museum of Modern Art presents Projects: Gabrielle L’Hirondelle Hill, the artist’s first solo museum exhibition in the United States. On view in the Museum’s street-level galleries from April 25 through August 15, 2021, the exhibition also celebrates the 50th anniversary of MoMA’s Elaine Dannheisser Projects Series. Hill, a Métis artist and writer, has assembled multiple works in which her use of tobacco as a key material alludes to the plant’s complex Indigenous and colonial histories. The exhibition features sculptures and drawings, including several new works, constructed primarily from tobacco along with other sourced and found materials collected from her Vancouver neighborhood. Projects

The Vancouver Art Gallery envisions a future program and collection for the 21st century

The Vancouver Art Gallery envisions a future program and collection for the 21st century Hyung-Min Yoon, The Doors, 2016, inkjet print on plastic film, Collection of the Vancouver Art Gallery, Partial gift and partial purchase with proceeds from the Audain Emerging Artists Acquisition Fund. VANCOUVER .- On December 12, the Vancouver Art Gallery opens its new exhibition, Where do we go from here?, which proposes to think critically about the role of both art and institutions—such as galleries and museums—in the process of producing narratives about the past, present and future. Acting on the Vancouver Art Gallery’s statement in solidarity with the Black Lives Matter movement this summer, Where do we go from here? developed as an opportunity to consider the Gallery’s own collecting and exhibition history. Reflecting on the 90th anniversary of the founding of the Gallery in 1931, this exhibition both acknowledges the under representation of African diasporic artists in our col

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