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A Curatorâs Vision for a Post-Pandemic Venice Biennale Cecilia Alemani, who will lead next yearâs art extravaganza, wants a Biennale that grabs attention beyond the opening-week parties. Cecilia Alemani in New York in 2016. âIâm an optimist, so I always feel things will turn around,â she said.Credit.J. Countess/Getty Images June 9, 2021, 11:51 a.m. ET LONDON â âIâve had a bumpy start,â Cecilia Alemani said with a laugh when asked to describe the pandemicâs impact on her work as the curator of next yearâs Venice Biennale. Alemani, an Italian based in New York City, was named in January 2020 as the artistic leader of the 59th edition of the Biennale, and the eventâs curator would typically start traveling the world immediately, looking for work to include in the show. ....
rose: from new york, some photographs of president kennedy never seen before, and the conversation with richard reeves. before world war ii, we were a relatively poor country. after the war, we owned the world. we were rich and we really didn t know how to act or what to do and whatnot, and they came along as our role models and whatever people think of his politics or whatever accomplishments or mistakes he made, i now realize they re never going away. it s 50 years, and it s thrilling to look at these pictures. it s like a walk on the beach with these extraordinarily interesting, beautiful people. rose: we conclude this evening with john c. mack, and photographs of mexico. mexico has a very, very subtle quality to it. it s very difficult to put into words, and i think that s what i try to do with the camera, to express it. it s something you have to go down and feel on your own. it s something poetic. it s very heartfelt. it s fiery and compassionate. rose: ....
photographs of president kennedy never seen before, and the conversation with richard reeves. before world war ii, we were a relatively poor country. after the war, we owned the world. we were rich and we really didn t know how to act or what to do and whatnot, and they came along as our role models and whatever people think of his politics or whatever accomplishments or mistakes he made, i now realize they re never going away. it s 50 years, and it s thrilling to look at these pictures. it s like a walk on the beach with these extraordinarily interesting, beautiful people. rose: we conclude this evening with john c. mack, and photographs of mexico. mexico has a very, very subtle quality to it. it s very difficult to put into words, and i think that s what i try to do with the camera, to express it. it s something you have to go down and feel on your own. it s something poetic. it s very heartfelt. it s fiery and compassionate. rose: kloppenberg, reeves, and mac ....
rose: from new york, some photographs of president kennedy never seen before, and the conversation with richard reeves. before world war ii, we were a relatively poor country. after the war, we owned the world. we were rich and we really didn t know how to act or what to do and whatnot, and they came along as our role models and whatever people think of his politics or whatever accomplishments or mistakes he made, i now realize they re never going away. it s 50 years, and it s thrilling to look at these pictures. it s like a walk on the beach with these extraordinarily interesting, beautiful people. rose: we conclude this evening with john c. mack, and photographs of mexico. mexico has a very, very subtle quality to it. it s very difficult to put into words, and i think that s what i try to do with the camera, to express it. it s something you have to go down and feel on your own. it s something poetic. it s very heartfelt. it s fiery and compassionate. rose: ....
rose: from new york, some photographs of president kennedy never seen before, and the conversation with richard reeves. before world war ii, we were a relatively poor country. after the war, we owned the world. we were rich and we really didn t know how to act or what to do and whatnot, and they came along as our role models and whatever people think of his politics or whatever accomplishments or mistakes he made, i now realize they re never going away. it s 50 years, and it s thrilling to look at these pictures. it s like a walk on the beach with these extraordinarily interesting, beautiful people. rose: we conclude this evening with john c. mack, and photographs of mexico. mexico has a very, very subtle quality to it. it s very difficult to put into words, and i think that s what i try to do with the camera, to express it. it s something you have to go down and feel on your own. it s something poetic. it s very heartfelt. it s fiery and compassionate. rose: ....